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F A N D A N G O R E C O R D I N G |
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Another year just started, I hope you all
had a great time! Holiday times were quite busy here, at Fandango; a
couple of major projects, like "Anastacia-Joy to the world" of Anastacia
Joy - a beautiful Christmas song collection produced by Jim Pellegrini,
a couple of pro demos- Tony Denarro Band, The Takers, Tessa, also some
restoration and mastering - I'd like to mention Chris Miller first CD,
an outstanding collection of originals!
2007 was an interesting year, and we are proud to witness and record some outstanding musical performances. First, Anastasia Joy with a superb collection of songs - like Nessum Dorma, Time to say goodbye, Ave Maria - and all I can say is "wow!" -check the samples page! I was fortunate to be part of a very interesting training that Holt Renfrew organized for its managers. They came up with a very interesting idea about putting a team together, and basically, people who never sang before ended up being part of a choir! We have recorded what the choir prepared and it was a lot of fun and great vibe and everybody was happy. The students from the University of Toronto- Scarborough campus- organized a talent show and they have decided to record the entire show and asked us to do it. The show was a success and they will release soon the CD with the live show. Another recording on location (our second collaboration- the first collaboration ended with a very nice DVD last year) was done for the Ethiopian Church. I also have the pleasure of working with some excellent and talented guys, like Andrew Miedema, Nikky Talley, Samantha and Serena, Johnny De Wolf Band, Shako, etc. Chris Denholm finished his first album "Animal Stories" and already started to record a second CD with an interesting collection of Chinese stories! We are happy to work with the local label Pacemaker Toronto on transferring and restoring LP’s recorded on 60’s, like The Mainline- Bump’n Grind, The Whiskey Howl, etc- please check www.pacemaker.cd and I’d like to congratulate Vic and Peter for the work they’re doing, bringing back to the market some excellent recordings which are part of Toronto's musical history. I also had the privilege to restore some old vinyl's- 78's from April 1945 recorded by Alan Parkin's band and I was impressed, it was very emotional, a very fine collection of old jazz standards. During 2007 we made a lot of upgrades and improvements. First of all, we upgraded our preamps: we are proud to offer to our customers some high-end new preamps like Martech MSS-10, Pendulum MDP-1 and a Vintech X73, as well as a Tube Tech CL-1B tube compressor- THE standard for vocals. We have upgraded our A/D and D/A convertors to mastering grade ones- Lynx Aurora 16, and we completely upgraded our computer system, adding more memory and power and more DSP processing cards, a controller surface- Mackie MCU, and of course software. Other upgrades are: a new subwoofer a Mackie HR120, a personal headphone monitoring system from HearBack Technologies (which allows each musician to do his own mix) and improved acoustic panels and bass traps and some new excellent mics and SE Reflection Filters- check out the equipment page. Not news anymore - we have now the second live room. While the sound of the first live room is very tight, not completely dead, but close, the second live room provides a beautiful live sound. Our first project using the new room was an interesting commercial CD of Ken G, a jazz sax player from Japan- http://www.geocities.jp/kengsax/. He was recorded in the new live room and the sound is truly remarkable. He plays along with Dan Ionescu- guitar, and Jack Zorawski- stand up bass. Back in 2003, Fandango started to promote an open list of musicians available for gigging or recording. I update the list periodically- see the musicians page. The listing is absolutely free!. For those of you who want to join the list, please drop an email, let me know who you are, what instrument and type of music you're playing, leave a contact address (email and phone number), and most importantly, a list of references; I will contact you right away, because I would like to come and see you playing when you have a gig and then I can put you on the list. Again, the list is open to any player of any music style, but you have to have regular gigs. For the musicians who are paying union dues, no references are necessary. Going through some sessions and dealing with some guys that came into a recording studio for the first time, I came to the conclusion that, like in every business, if you do your homework, work will be easier and more productive and fun. I was also browsing the internet and picked up some advice from other guys and I am making al this info available in the Preparation page. It will help you understand what to look for when you choose a recording studio and how to get prepared for a recording session. A little preparation goes a long way into getting a good final product, because don't forget, you are the main player; the sound and the performance are in your hands. The recording engineer just takes care of capturing your sound the best possible way. FANDANGO has very affordable rates and different packages to accommodate every demand; we want to have happy customers who will recommend our studio to their friends- we are not looking only for one time deals, we're looking for long-time working relations. For info please contact us at 416 579 5569, or email us at florinb@fandangorecording.com. |
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Questions, info, contact: florinb@fandangorecording.com or call 416 579 5569. Copyright©2001 Fandango Recording Toronto, at Leslie and Lawrence |