|
Choosing a studio
Why Fandango
Preparing for
recording
Recording on
location
About recording
About mixing
About Mastering
Preparing for Mastering
About sound
restoration
DIY Recording
All about demos
Get a quote
| |
Toronto's Fandango recording,
processing, mixing and mastering studio equipment combines the analog and the
digital worlds. Fandango uses exclusively only high-end quality equipment, to
ensure a pristine and warm sound. The heart of the studio is an Intel workstation, 8GB
Crucial Ram, all SCSI,
Geffen power supply, with Lynx AES 16 sixteen channels AES/EBU Digital I/O with Lynx Syncrolock
Jitter Attenuation Technology connected to Aurora 16 -
Simultaneous 16 Channel
Analog I/O and 16 Channel AES/EBU I/O
24bit/192 kHz AD/DA Mastering A/D and D/A
converstors, with three
UAD1 Ultra Pack Card and two TC Electronics Powercore
MKII DSP cards and a Mackie MCU controller. Once in the digital domain, the sound is processed
digitally until the final step- CD or tape. Recording is performed at 24bit
resolution and
the whole sound processing- mixing, mixdown, mastering or sound restoration- is
done in 32 bit resolution.
Software:
| Multitrack / mixing |
Cubase, Nuendo |
| Mastering |
Wavelab |
| Plugins |
Waves
- Waves Platinum Bundle(Gold + Masters+
Renaissance), Waves SSL Bundle + Waves Restoration Bundle |
| |
UAD1
- 3 PCI cards
- LA-2A, LA-3A, 1176LN, Fairchild 670, Plate 140, Pultec EQP-1A,
Neve 1073 EQ, Neve 1081 EQ, Neve 88RS, Neve 33609, Helios 69 EQ, Precision EQ/Multiband, Cambridge EQ, , Roland
CE-1, Roland Dimension D, Roland RE-201, Dreamverb, Precision De-Esser |
| |
TC Powercore MKII
- 2 PCI cards - TC Powercore
complete suite plugins, Sony Oxford EQ,
Restoration Suite |
| |
Others
- Melodyne Studio, Drumagog, Arturia Moog Modular, Tassman,
PSP (Vintage Warmer, Lexicon), Groove Agent, TL Audio, TC Native, IK MUltimedia,
etc |
Microphones: Our
excellent microphone collection covers all possible recording needs and includes some of the
best and finest in the industry:
| Large
condensers |
Neumann U87 |
| |
Neumann TLM-103 |
| |
Lawson L251 Tube Variable Pattern |
| |
Lawson L47 Tube Variable Pattern |
| |
Lawson L47FET, Lawson L251 FET |
| |
AKG C414
B-ULS - matched pair (2) |
| |
Rode K2 Tube Variable Pattern |
| |
|
| Small diaphragm
condensers |
Neumann SKM 184 - matched pair
(2) |
| |
Earthworks QTC 40 time coherent omni
- matched pair (2) |
| |
|
| Dynamic mics |
AKG D-112 |
| |
AKG 418 (2) |
| |
Senheiser MD421 (2) |
| |
Shure Beta 58 (2) |
| |
Shure SM57 (3) |
| |
Shure SM58 |
| |
|
| Ribbon mics |
AEA R84 |
| |
Royer R-121 (2) |
| |
|
Preamps: Together
with the microphones, the mic preamps are essential for the quality of the
recording, and our mic preamps cover the whole sound spectrum- from
extremely transparent (needed for classical music) to colorful:
| Preamps: |
Martech MSS-10 |
| |
Vintech X73i |
| |
Focusrite Red 1 Quad preamp (4
channels) |
| |
Pendulum Audio MDP-1 dual channel
vacuum tube Mic/DI preamp (2 channels) |
| |
Millennia HV-3D 8-channel preamp (8
channels) |
| |
Avalon U5 DI |
| |
Korg D3200 and Sound Device 722 for
mobile recording |
| |
|
| Processors: |
Tech CL-1B compressor |
| |
Millenia NSEQ-2 Equalizer |
| |
Empirical Labs Distressor EL8x /
w/British mode (2) |
| |
TC Electronics G-Force |
| |
Lexicon MPX500 |
| |
Focusrite Platinum
Compressor |
| |
DBX 1046 compressor |
| |
Symetrix 552E EQ |
| |
Line 6 POD amp simulator |
| |
Line 6 Bass Pod XT |
| |
|
| Monitors |
Mackie HR824 self-powered THX
approved |
| |
Mackie HRS 120 self-powered
subwoofer THX approved |
| |
KRK V6 self-powered |
| |
Auratones Special Edition powered by Alesis RA 150 |
| |
Mackie Big Knob distribution system |
| |
|
| Amps: |
DR Z Maz 18 NR |
| |
DR Z 2x12" Z-Best Thiele ported
cabinet |
| |
AER Acoustic Combo 60 |
| |
Vasco - 5 watts tube amp - Chicago,
1957 |
| |
Raezer's Edge 10" SL cabinet |
| |
|
| Synths & drum machines: |
Kurzweil K2600XS |
| |
Waldorf Q |
| |
Access Virus C |
| |
Korg Triton LE |
| |
Korg TR-Rack |
| |
Oberheim Matrix |
| |
Akai MPC1000 |
| |
Roland GR-33 |
| |
|
| Headphones: |
Hear Back personal monitoring system,
1 hub, 4 personal mixers |
| |
Mackie 1604 VLZ Pro used for the
main mix
for the Hear Back monitoring system |
| |
Sony MDR-7509, Sony MDR-7506 (2) |
| |
Fostex T40, Audio-Technica D40 |
| |
Sennheiser HD280 Pro
(2) |
| |
SH-HP90, HD-130 (2) |
| |
Rolls and Apex headphone mixer amp,
many other headphones |
| |
|
| Guitar pedal board: |
Fulltone Choral/Flanger |
| |
Fulltone Ultimate Octavia |
| |
Fulltone
Full Drive |
| |
Boss Metal MT2 |
| |
Boss driver BD-2 |
| |
Boss phase shifter PH-3 |
| |
Boss EQ GE-7 (2) |
| |
Boss TH12, Boss sampler RC-20 |
| |
Boss sampler RC-20 |
| |
Guyatone Tube Echo |
| |
Vox Wah, Rocktron volume |
| |
Voodoo Lab Power Supply |
| |
|
| Guitars, Bases: |
Fender
Deluxe Strat American Custom made |
| |
Fender Jazz Bass American |
| |
Godin Multiac |
| |
Parker NightFly Deluxe |
| |
D'Angelico Excel EXS * |
| |
Taylor 714CE * |
| |
|
| Others:
|
THD Hot plate, Mackie MCU
controller, SE Reflection |
| |
filters, Sony TC-WE625 tape-recorder, Sony
DVD, CD and mp3 players |

*Certain conditions apply.
|