| Toronto
Fandango Recording provides audio and sound restoration and enhancement from audio
sources like reel to reel tapes , - 3 7/8" and 7 3/4" speeds-, cassettes, LP
records - 33, 45 and 78's, mini tapes, VHS tapes, phone answering machines and
many more. The following are some mp3's samples of
audio restoration. The first two samples are from "A Passing Fancy" album -
transfer from vinyl, audio restoration and remastering performed for Pacemaker
Toronto, the third sample is from Eugene Smith - restoration and remastering -
and the fourth sample -Sugar foot stomp - is from a very old and almost
completely destroyed vinyl
recorded in 1945 in Manitoba by Mr. Alan Parkin from Toronto and his band on 78 format.
I'm losing tonight - the
original and
I'm losing tonight restored/ remastered
A Passing Fancy - the
original and A Passing Fancy restored/ remastered
Eugene Smith-Amy -
the original and Eugene Smith- Amy restored
Sugar foot stomp
- the original and
Sugar foot
stomp restored
The real question is: to
what extent can this process restore the freshness of a song? Are there any
other advantages to this? There is no short answer. First of all, let's consider
the example of an old tape: it's only going to get worse in time, and it's
exhibiting a lot of noise and lack of details. Or take an old LP, a lot of
crackles, scratches, clicks, thumps and noise. Having them restored and burnt on a CD is definitely an
advantage; the CD won't degrade in time like an analog tape.
There is a difference between transfer and
audio restoration; transferring from analog to digital does just that,
maintaining the sound problems from the original source. When it comes to sound
restoration, we are listening to the source and decide what is the best way to
convert it, having in mind the processes required for restoration.
Basically the sound restoration process deals with noise, crackles,
scratches, clipping, hiss, hum
and clicks removal, spectral repair and advanced spectrograms, and brings back some of the shine of the recording. The
project is loaded in the workstation through high-end quality mastering-grade A/D converters
(Lynx Aurora). If
needed, high-end preamps will be used for adding warmth or some harmonic enhancement. The removal of
the unwanted problems is performed using Restoration Suite for Powercore, Waves Restoration
Bundle
and RX Complete Audio Restoration from Izotope, programs based on advanced
algorithms; they are made to preserve the original sound in the best possible
way.
The next step is the harmonic enhancement of
the material to get the best perception of the original sound. This is done
through sophisticated programs, and the result is quite spectacular. The
harmonic enhancement is needed as the removal of noises, crackles, scratches, clicks, thumps
does affect to a certain extent the audio part. EQ just doesn't do it in this
case, it will be applied at a later stage, in mastering.
Once the project is cleaned, it's going
to be prepared for
burning on CD; in plain English, it will be re-mastered through the steps
outlined on Mastering page. There are a
couple of studios in Toronto who are doing sound restoration; the most important
thing to consider when choosing the place is the experience of the engineer, the
tools he uses and
the extent to which he was exposed to different styles of music, so he can
re-master and help recreate the right musical atmosphere.
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